The New York Times Presents

Perhaps a fitting start to 2020, Australia rang in the New Year with much of the country engulfed in flames. A few people decided to confront the blaze. Watch them stand face to face with one of the most ferocious infernos in history.

Elon Musk. Bill Gates. Kanye West. Joe Biden. Barack Obama. They and dozens of others were being hacked recently, and Twitter appeared powerless to stop it. Who had brought the tech giant to its knees? A 17-year-old kid in Tampa.

Her rise was a global phenomenon. Her downfall was a cruel national sport. People close to Britney Spears and lawyers tied to her conservatorship now reassess her career as she battles her father in court over who should control her life.

The New York Times follows the rise of Collab Crib, the first mainstream Black "creator mansion," exclusively documenting their whirlwind drive to achieve social media stardom in 90 days. The intimate, character-based film captures the influencers wrestling with a nagging, and profound, challenge: how can they succeed in a nascent industry that seems tilted to their disadvantage?

Britney Spears has said that her conservatorship had become “an oppressive and controlling tool against her.” This New York Times investigation reveals much of how it worked, including an intense surveillance apparatus that monitored every move she made.

In 2004, a culture war was brewing when the Super Bowl halftime show audience saw a white man expose a Black woman's breast for 9/16ths of a second. A national furor ensued. The woman was Janet Jackson, and her career was never the same.

Three police officers died in a shootout at a drug house in Alabama. One man was sentenced to death for the shootings, even though he was never accused of even touching the murder weapon. This is the story of Nathaniel Woods.