

The road which led Jakobois, like many experimental film-makers, to filmic expression was painting. This development he owes to a succession of encounters and personal choices rather than to a university or art school. He has worked in the mediums of sculpture and painting since 1972, influenced by the writings of Jean Dubuffet and the work of Paul Klee, exploring the confluence between minimal art and gestural expression. His first encounters with experimental film date back to 1976, and occurred in the meeting places and specialized programs which at the time proliferated on both banks of the Seine in Paris. He began with using the Super 8 medium, working autonomously as an "artist film maker". His work has been seen in many film festivals as far as Rotterdam, London, Tokyo, Moscow and New York, including a major retrospective season of his films in Paris at the Centre Pompidou in 1988. He was a member of the group "4 à 4 Métro BarbèsRochechou Art" with Téo Hernandez, Michel Nedjar and Gaël Badaud.
17 movies

Crime contre le cinéma
2020·0.0

Fragments
1987·0.0

Rumeurs Saint-Maur
1986·9.0

Chutes de Michel Nedjar
1984·0.0

Chutes de Lacrima Christi
1984·0.0

Mesures de miel et de lait sauvage
1984·0.0

Bouquet of Eyes
1983·0.0

4 à 4 Métro-Barbès-Rochechou-Art
1983·6.0

Three Drops of Mezcal in a Glass of Champagne
1983·0.0
Cinématon XXVI
1982·0.0

Cinématon n°251 : Jakobois
1982·0.0

Sur Graal de T.H.
1981·4.2

Lacrima Christi
1980·5.0

Lougarou de Nouillorque
1978·0.0

Cinématon
1978·4.9

Paranorama 1 et 2
1978·0.0

Cristo
1977·3.3