1972 · — · ★ 8.0
The famous painter of “La Vucciria” analyzes the work of another artist, in this case David and his Dead Marat, emphasizing how many artists love the works of others and often draw them to study their composition, geometry, and profound beauty. This, says Guttuso, is a severe, austere painting, devoid of any rhetoric.
Extremis
2016·7.0
