

2022 · 11m · ★ 6.0
A metacinematic reflection on the nature of representation and the ongoing drug war in Mexico, Nicolás Pereda’s Flora revisits locations and scenes from the mainstream 2010 narco-comedy El Infierno, exploring the paradoxes of depicting narco-trafficking on film—its tendency both to romanticize and to obscure. To screen is both to project and to conceal.
Hijo del dueño de la mina / Ladrón de motocicleta

Spider-Man: All Roads Lead to No Way Home
2022·6.8